Bus Group

bus.group is a creative service for discretionary ambience. We develop contemporary visual content in close partnership with clients across the corporate and cultural stage. Consider us the stunt doubles of graphic design, render whisperers of CGI and trip sitters of brand strategy. We’ll be your leading lady, background extra, design director and production runner.


Ritterstraße 2
10969 Berlin




Manuel Birnbacher (founder), Daniel Schnitterbaum (founder), Sophia Brinkgerd, Jun Hyeok Shin, Felix Feldmann, Hermione Flynn, Artur Krutov, Jack Lemonidis, Sasha Serdtaya

Selected Clients

Art Basel, Babor, Balenciaga, Cartier, Deutsche Bahn, Ferragamo, Instagram, Maybach, Nike, Nomos Glashütte, Rimowa, Visa, Woolmark

Work with us

We are looking to expand our team via project-based freelance roles and dedicated full-time positions. Current opportunities can be found below:

  • Studio Manager

    We are looking for a Studio Manager to work with us full-time in Kreuzberg. You will be the beating heart of the studio, so a joyful, energetic and can-do attitude is a must! Your tasks will include (but not limited to) studio logistics, team support, administration and social media maintenance. You should be excellent at multitasking and have a keen eye for detail.

  • CGI Artist

    We have an opening for a full-time senior role. Long-term experience in Cinema 4D, Redshift is required. Skills in Houdini, Marvelous and Unreal are a plus.

How to apply

Please send your application (portfolio, cover letter and resume) to jobs@bus.group with the respective role included as subject header. We are looking forward to hearing from you! Please note, we can’t reply to every application. Thanks for your understanding!



Nikolai Sivertsen


Ollie George


Diatype (Dinamo)



Musical modalities

Art direction and 2D animation for the Australian arts and music festival MODE.

For the festival’s inaugural edition, bus.group developed a contemporary identity that balances bold graphic treatment, kinetic 2D animation and accompanying animation driven by GAN imagery. The identity has been applied across announcement material and an incoming micro-site to houses all programme information; the teaser shared introduces our work on the festival’s visuality.


Might bruk your heart

CGI and 3D animation for the third release of BRUK records.

BRUK is a musical platform for fresh variations on the soundsystem ethic, developed as an artist-focused endeavour and geared towards producers with range, depth and ingenuity in their sound.

The third release invites Cassius Select into the label’s density of sonic textures: “hinting at the anthemic while remaining steadfastly cool and deadly, Cassius Select’s mutant brand of club has the space and versatility to slip between scenes, doing damage wherever it lands.”

Game on for the shake!


Wrap up, break down

CGI and 3D animation for the second release of BRUK.

BRUK is a musical platform for fresh variations on the soundsystem ethic, developed as an artist-focused endeavour and geared towards producers with range, depth and ingenuity in their sound.

The second release sees producer Siete Catorce unravel his sonic influences of Latin America and futural techno abstraction. The Temperatura EP is fractured, rhythmic and in constant shift.


Wrap up your bruk

CGI and creative direction for a music label’s inaugural release.

"BRUK is a new platform for fresh variations on the soundsystem ethic, developed as an artist-focused endeavour and geared towards producers with range, depth and ingenuity in their sound." Beside the chopping first statement from Josh Thompson's FFT alias, bus.group produced abstracted imagery to cover the sleeve in its own sheathed visual.


Beethoven’s gemstone

CGI and 3D animation for the visual framework of Musikfest Berlin.

During the Beethoven jubilee year, the month-long programme pulls together instrumental and vocal ensembles as part of its orchestral festival for the music of our times. For the 2020 edition, bus.group developed a trail of 3D imagery that encrusted rock around its rhythm.


No feeding on the dancefloor

Visual identity and supporting CGI for the music festival Nachtiville.

Following the party trail left by Nachtdigital last year, another musical offering arrives from its makers. For Nachtiville's debut by the Baltic Sea, bus.group developed a playful identity and 3D-driven artwork that welcomes its arrivals with a waddling, winter mascot.


Melodic ecologies

CGI and 3D animation for the album artwork of band Jeans for Jesus.

19xx_2xxx_ is the third LP of Swiss band J4J. For the supporting imagery, bus.group transformed 3D scans of the band members into eco-mythical figureheads.


Have you heard of Fluoro Baroque?

Visual identity and graphic design for the tenth edition of Samos Young Artists Festival.

The annual event brought together emerging and established performers in an ancient Greek theatre. Artists from across the world gathered during the seven-day presentation, playing music that spanned the Baroque, tango and contemporary. The supporting designs capture the musicality of performance across dynamic, hand-rendered illustrations.


Sònar-powered wings

3D animation for a music festival’s stage programming.

SonarDôme is a longstanding partnership between Red Bull Music and Sònar Festival. For the 2018 edition, bus.group were asked to produce its supporting kinetic visuals.


Bittersweet mints and forever-never goodbyes

Visual identity and supporting design for the final edition of a German music festival.

Nachtdigital offered festival solutions to a small German camping village for 22 years. Within the festival’s swan song identity, bus.group installed a minty mascot across its design furnishings. Tees, LPs, and a fitting mix of memories inside the welcome booklet reminisced on the past two decades of Nachtilove.


Post-romantic rhythms

Art direction and graphic design for the debut album of Rachel Lyn.

‘Oh Daydream’ reveals the sonic work of Rachel Lyn within a long form listening experience. The 8-track album weaves together narratives of her VHS-induced childhood, produced into a ‘post-romantic’ story that composes various soundscapes within the artist’s own intimate flow.

bus.group developed the accompanying graphic design for the LP’s full release.


I wanna see you FLEX

Visual identity and supporting design materials for the 21st edition of a German music festival.

In 2018, Nachtdigital introduced its FLEX theme to festivalgoers. bus.group worked up a sweat for its ensemble identity, as liquid bodies collide with graphic typography across poster and film formats.