Bus Group

bus.group is a creative service for virtual superstition. We develop contemporary visual content in close partnership with clients across the corporate and cultural stage. Consider us the stunt doubles of image making, render whisperers of CGI and trip sitters of creative direction. We’ll be your leading lady, background extra, design director and production runner.

Address

bus.group
Ritterstraße 2
10969 Berlin

Instagram

@bus.group

bus.group

Manuel Birnbacher (founder), Daniel Schnitterbaum (founder), Crystal Campbell, Tine Edle von Istler, Felix Feldmann, Jack Lemonidis, Anaís Prieto León, Fabi Lou Sax, Max Stühlen, Peter Schings

Selected Clients

Art Basel, Away, Babor, Balenciaga, Cartier, Dell, Ferragamo, Instagram, Maison Margiela, Mercedes Maybach, MCM, Nike, Porsche, Rimowa, Renault, Sotheby's, Visa, Woolmark

Work with us

We are looking to expand our team via project-based freelance roles and dedicated full-time positions. Please send your application (portfolio, cover letter and resume) to jobs@bus.group with the respective role included as subject header. Please note, we can’t reply to every application. Thanks for your understanding. Current opportunities can be found below. We are looking forward to hearing from you.

  • Senior CG Artist

    We have an opening for a full-time senior role. Long-term experience in Cinema 4D, Houdini and Redshift is required. Skills in Marvelous and Unreal are a plus.

Credits

Code

Nikolai Sivertsen

Copy

Ollie George

Typeface

Diatype (Dinamo)

Copyright

Info

Melodic ecologies

CGI and 3D animation for the album artwork of band Jeans for Jesus.

19xx_2xxx_ is the third LP of Swiss band J4J. For the supporting imagery, bus.group transformed 3D scans of the band members into eco-mythical figureheads.

Info

How does the future smell?

Animated outtakes for an editorial feature entitled The Doors of (Multi-Sensory) Perception.

MOLD is a magazine about the future of food and investigates the potential of ‘designing food’ across interviews, editorials and critical essays. For the fourth issue, Designing for the Senses, bus.group were commissioned to envision a new model for perception, worn amongst a text by Maria Jimena Ricatti.

Info

How does the future smell?

3D outtakes for an editorial feature entitled The Doors of (Multi-Sensory) Perception.

MOLD is a magazine about the future of food and investigates the potential of ‘designing food’ across interviews, editorials and critical essays. For the fourth issue, Designing for the Senses, bus.group were commissioned to envision a new model for perception, worn amongst a text by Maria Jimena Ricatti.