Bus Group

bus.group is a creative service for social introspection. We develop contemporary visual content in close partnership with clients across the corporate and cultural stage. Consider us the stunt doubles of image making, render whisperers of CGI and trip sitters of creative direction. We’ll be your leading lady, background extra, design director and production runner.

Address

bus.group
Ritterstraße 2
10969 Berlin

Instagram

@bus.group

bus.group

Manuel Birnbacher (founder), Daniel Schnitterbaum (founder), Crystal Campbell, Tine Edle von Istler, Felix Feldmann, Hermione Flynn, Jack Lemonidis, Anaís Prieto León, Fabi Lou Sax, Peter Schings

Selected Clients

Art Basel, Away, Babor, Balenciaga, Cartier, Dell, Ferragamo, Instagram, Maison Margiela, Mercedes Maybach, MCM, Nike, Porsche, Rimowa, Renault, Sotheby's, Visa, Woolmark

Work with us

We are looking to expand our team via project-based freelance roles and dedicated full-time positions. Please send your application (portfolio, cover letter and resume) to jobs@bus.group with the respective role included as subject header. Please note, we can’t reply to every application. Thanks for your understanding. Current opportunities can be found below. We are looking forward to hearing from you.

  • Senior CG Artist

    We have an opening for a full-time senior role. Long-term experience in Cinema 4D, Houdini and Redshift is required. Skills in Marvelous and Unreal are a plus.

Credits

Code

Nikolai Sivertsen

Copy

Ollie George

Typeface

Diatype (Dinamo)

Copyright

Info

Bad bites and Balkan athletica

Design materials for a launch event of This is Badland.

In a collaboration with Berlin-based Bite Club, BAD BITE coupled spreads of food with spreads of content. The event’s guests were invited to buy the newly launched magazine and eat from its region.

Info

A postcard of non-belonging

Art direction and graphic design for the inaugural issue of This is Badland.

The Adriatic Reimagined sets out to readers its editorial remit of the Balkan region. This is Badland reconciles a feeling of non-belonging — an area caught between East and West — with the contemporary talent of artists, writers and creatives from its geographies.

Under bus.group’s direction, the magazine duels with its visual content across essays, features and interviews. Typography is rendered against bold editorial imagery, and a display of logotypes double as graphic headline and essay doorstop.

Info

Scans of the Zodiac

3D imagery for a musical project by actor and musician Edison Chen.

The Monkey King unites two figures — a series of 3D scans of Chen, with another of Ai Weiwei’s artwork The Monkey — into an emotive, golden figurehead.